Paolo Veronese

Verona 1528 – 1588 Venice, circle of
Putto
Oil on canvas, relined
43 x 42.5 cm, framed 74 x 74.5 cm

In this dynamic and lively depiction of a nude putto, Paolo Veronese, a master of Venetian painting, demonstrates his ability to capture movement and emotion on canvas. The putto is arranged diagonally and is turned towards the viewer, while his gaze is directed downwards. The soaring red hair and bent legs lend the painting a certain lightness and light-heartedness typical of Renaissance depictions of angels and childhood figures.
In his hands, the putto holds long-stemmed roses, one of which is open and the other still closed, which may have a symbolic meaning for love and youthfulness. Veronese succeeds in creating a depth that almost brings the putto to life through the skillful use of light and shadow and a vibrant color palette.
The artist’s context is crucial to understanding this work. Veronese, known for his opulent compositions and use of dramatic light, was a central figure in 16th century Venetian painting. He combined realistic depictions with mythological themes to create an impressive overall picture. His works are characterized by an exquisite attention to detail and a deep understanding of the human form.
This painting is not only an example of Veronese’s technical skill, but also reflects the aesthetics and cultural climate of the High Renaissance, in which the depiction of the human body, characterized by emotion, played a central role. It invites the viewer to immerse themselves in a world of beauty and symbolism and to experience the timeless charm of Venetian painting.